2011’s Theatrical Dazzlers

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As I said in my previous blog post, I flew lots and lots of miles over three continents in the course of 2011. But when I was in Chicago, I made sure I slid my butt into a theater seat (over the objections and recriminations of friends and (ex) lovers who I ended up not seeing during those so few weekends). So I still managed to go to a significant number of shows this year despite feeling as if I lived at O’Hare instead of my Ravenswood loft.  No regrets on this end, since Chicago continued to be a dazzling North American capital for live performance, with a bounty of world premieres, Chicago stops of great touring productions, and storefront theatrical treasures.  Here, then, is my annual top ten list of Chicago theater:

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Secrets and Lies

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The one thing I clearly remember about going to see the Danish film The Celebration back in 1999 at the Music Box Theatre was that my friend Niels, who was originally from Copenhagen, kept bursting out laughing throughout the screening even as the rest of us in the audience sat rapt and riveted by the horrific family tragedy unfolding on screen.  I remember shushing him several times, because, frankly, people were getting ticked off (and we were in the smaller theater as well so even the most restrained guffaw became an irritating echo).  But his reaction was probably typically Danish – in the film and in it’s theatrical adaptation by British playwright David Eldridge, Festen (the film’s original title in Danish), now receiving an astounding, triumphant Midwest premiere from Steep Theatre, the terrible, gut-wrenching revelations of family secrets and lies are intermingled with dancing, singing, laughter, festivity, a culturally-programmed emotional response filled with denial and delusion.  And thanks to Jonathan Berry’s moody, confident direction, and the exceptional ensemble cast, especially the magnificent Kevin Stark, the play is both emotionally draining and terrifying, exacting and suffocating, like a bizarre blend of August: Osage County meets Paranormal Activity.  In short, Steep’s Festen is superb, a must-see for everyone who seeks out unsettling theater.

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Ten Plays to Watch in Chicago this Fall

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The biggest laugh I had over the weekend (more so than the bellyaching guffaws I tried hard to suppress while watching pseudo-hipsters pretend to look impressed by some atrocious art during the West Loop gallery openings last Friday, but that’s a topic for another blog post) was over New York Times theater critic Charles Isherwood’s almost sheepish admission – in print, for everyone to read -that New York theater, specifically Broadway, should be considered the east side of Chicago, given the number of Chicago-originating productions and artists currently on stage in New York.  Thank you, Mr. Isherwood, but our fair city already has an east side, so we don’t really need to annex New York City.  It was still pretty hilarious, though, to finally see the snobbish, self-promoting, out-of-touch Times theater section admit what many of us passionate theater aficionados have known for a while now – that the vital center of American theater has already migrated from the Big Apple to the City of Broad Shoulders.  So while one-step-behind New Yorkers will be drooling over chi-town exports Superior Donuts, A Steady Rain, and David Cromer (making his Broadway directing debut with revivals of Neil Simon’s Brighton Beach Memoirs and Broadway Bound, running in repertory) this fall, theater-forward Chicago audiences will be immersing ourselves in some of the best theater this side of the Atlantic.  I’ve compiled below my annual list of the ten must-see theatrical events in Chicago this fall, most of them world premieres, never been seen anywhere; hopefully I’ll bump into many of you in some of them.  You never know, but that obscure, low-key, storefront production you paid twenty bucks for may be next year’s frenzy-inducing hot ticket in New York (exhibit A:  A Steady Rain). 

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