After what I thought was a dismaying year in 2013, Chicago theater bounced back with impressive aplomb this year. There were a lot of world premieres (some much readier for primetime than others), fresh voices and story-telling, searing examinations of America and the world, lots and lots and LOTS of Sondheim, a 12-hour adaptation of all 32 existing Greek tragedies, and exemplary work from a host of renowned artists, from celebrated actors such as Michael Cera and Sandra Oh to award-winning directors like Joe Mantello and Chicago’s pride, incoming Steppenwolf Artistic Director Anna Shapiro to exciting, ascendant playwrights like Marcus Gardley and Lisa L’Amour and exciting, established playwrights like Rebecca Gilman and Bruce Norris. Then of course there was The Evil Dead: The Musical. Chicago theater in 2014 had something for every theatergoer out there, from discerning to indifferent and back. Here then is the eight edition of my best theater productions of the year. Read the rest of this entry »
Chicago theater audiences are a lucky bunch. With the abundance of world premieres in this city, we are almost always able to say, “Yep, I saw that first.” The Chicago Tribune just reported that Ayad Akhtar’s Pulitzer-prize winning Disgraced, which premiered in a much-admired Chicago production in 2012, will bow on Broadway this fall directed by its Chicago director, Kimberly Senior. One of the things to remember though about seeing world premieres almost on a weekly basis is that some of them are going to be very, very good, and many of them will, to put it lightly, need further revisions. Here are my thoughts on two world premiere productions currently playing in Chicago.
A couple of weeks ago I was at a party with my dear friend Jonathan (who has traipsed through these blog pages before) and after several gushy mentions of shows currently playing, he (cattily?) remarked “you’re clearly Chicago theater’s biggest supporter”. Well, flattered though I was, I wouldn’t really call myself #1 superfan- that title unequivocally belongs, and rightly so, to this guy. But even after 15 years of Chicago theatergoing, I’m often impressed and dumbstruck at the fearlessness and audacity of our energetic storefront theaters, their unwavering spirit of collaboration, their can-do, no-obstacles attitude to putting together ambitious, enthralling theatrical evenings in spaces no bigger than laundry rooms (and in one instance the theater was actually one) with budgets equivalent to the price of a pair of Christian Louboutins. As an audience member I’ve always felt privileged to share that passion. Over the past couple of weeks, I’ve seen several risk-taking storefront endeavors; not all of them succeed, but man, their aspirations are thrilling! Here are some of my thoughts on them.