Once a long, long time ago (well, the 1940s and the 1950s) the word musical theater didn’t really mean a collection of jukebox hits that your parents listened to, or a musical version of either a Disney film or a gritty British movie with music written by pop culture icons. The dirty phrase “Andrew Lloyd Webber” was mercifully unknown. During that time a musical meant a show with gorgeous, lush scores, transportive stories that can still at times stretch credulity, unabashed emotionalism that can border on the silly and campy. Though American musical theater at its height was the last unapologetic bastion of feel-good escapism during the time when film and dramatic plays were moving towards heightened naturalism and raw portrayal of emotions, it still produced some of the most unforgettable music existing from the incomparable talents of Rodgers and Hart, then Hammerstein; Leonard Bernstein; Bock and Harnick, Lerner and Loewe. So when I heard that the Goodman Theater was going to stage a revitalized, possibly re-envisioned take on Alan Jay Lerner’s and Frederick Loewe’s 1947 classic about a Scottish village that only appears once in a hundred years, I was intrigued but unconvinced. Can I, a 21st century musical theater queen ravenously brought up on a diet of realistic Sondheim, literary Boublil and Schoenberg, grounded Ahrens and Flaherty, cerebral Guettel, with pop-music drizzles from Elton John and Cyndi Lauper, actually like a show with a story as incredible as this? Plus I wasn’t a fan of Gene Kelly’s stilted film version (the elegant, aristocratic Cyd Charisse is about as believable as an 18th century Scottish peasant maid as Matt Bomer is as my massage therapist…I mean really?). But as I’ve said so many times on this blog over the years, I love going to the theater and becoming inexplicably, memorably astounded. Brigadoon, marking the significant Goodman debut of Rachel Rockwell, one of Chicago’s most talented theater directors, is enthralling, superb, inarguably enjoyable, lingering with you days after you see it, setting a high bar for musical theater in Chicago and regional theaters as a whole.
Tags: Goodman Theatre