After a flurry of blogposts in September and October, this month has been quiet. Yep, dear avid blog readers, you know I’m back on the business travel grind and this time it’s a weekly commute to the Pacific Time zone. A four hour plane trip immediately followed by 15 hours in a windowless conference room has wrecked my lower back, my soul, and my ability to string together a coherent sentence that doesn’t begin with “Get me back to Chicago.” So blogposts have taken a back seat to well, frantic attempts to regain mental health (and a functioning lower skeleton). Fortunately, there has been a noticeable slowdown in notable Chicago theater openings, so it’s been easy to just stay at home, sink into my couch, and catch up on episodes of Revenge before I get on my next flight back to California. Over the past couple of weekends though, I’ve been able to catch two worthwhile arts events: the world premiere of Susan Felder’s Wasteland at Timeline Theatre, and the final workshop production of Chicago Opera Vanguard’s The Suitcase Opera Project, performed on the Pritzker Pavilion stage with a breathtaking view of Millennium Park and the Chicago skyline framing the performance. What’s particularly notable about both is that they each feature exciting, star-making performances from our city’s deep bench of young male performers.